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Beatrice Verhoeven

Deputy Awards Editor

Beatrice Verhoeven is the Deputy Awards Editor at The Hollywood Reporter, where she covers awards and campaigns leading up to the Oscars and Emmys, among others. Before joining THR, she was the Film Editor at TheWrap.

More from Beatrice Verhoeven

Oscars: How Predictive Are the MPSE and CAS Guilds of the Best Sound Winner?

Up until five years ago, the Academy had a separate category for sound mixers and sound editors.

How ‘Conclave’ Composer Volker Bertelmann Used His Own Devout Background to Score The Thriller

The German artist also reveals why he was “quite scared” to take on Edward Berger’s film about one of the most secretive events on the planet.

Casting Society’s 2025 Artios Awards Winners Include ‘Wicked,’ ‘Conclave,’ ‘Hacks’ and ‘Shogun’

'Emilia Perez' also won the award in the new international feature category.

VES Awards: ‘Kingdom of the Planet of the Apes’ Scores Top Honor, ‘Dune: Part Two’ Leads With Four Wins

'The Wild Robot' wins top animated film while 'Shogun' scores the top episodic prizes.

How the ‘Dune: Part Two’ Sound Team Created the Sonics of Sand Worms and a “Planet of Bloodthirsty Lunatics”

Supervising sound editor Richard King, nominated for an Oscar for the film, explains why he didn’t — and couldn’t — inherit a sound library for the sequel.  

‘Nosferatu’ Cinematographer Jarin Blaschke on Shooting the “Romantic” Film to Look as If It Were Basked in Moonlight

The director of photography also talks about about the challenges he faced on the Robert Eggers film.

Mindy Kaling on How Being a Minor Art Collector Led Her to Producing Oscar-Nominated Short ‘Anuja’

The 22-minute film was directed by Adam J. Graves in collaboration with his wife, South Asian artist Suchitra Mattai.

PGA Awards: ‘Anora’ Takes Home Top Film Prize

In addition to the competitive awards, Dana Walden, Taika Waititi, Chris Meledandri and the late Lynda Obst and Paula Weinstein were honored during Saturday night's Producers Guild ceremony.

‘Wicked’ Production Designer Nathan Crowley on Planting Barley and 9 Million Tulips to Create Oz

The Oscar-nominated production designer was tasked with transporting audiences to the whimsical world using as little VFX as possible.

Here’s How the Oscars Should Address L.A.’s Wildfires

Nominees talk with THR about how the Academy should approach the tragedy.