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Caryn James

Caryn James is a critic who writes on film and television for The Hollywood Reporter, BBC Culture, The Wall Street Journal and other publications. She was previously a film critic and chief television critic at The New York Times, and an editor at the New York Times Book Review. She appears often on television as a commentator on film and on stage moderating film and television panels. She is the author of the novels Glorie and What Caroline Knew.

More from Caryn James

‘Sally’ Review: A Refreshingly Clear-Eyed Documentary Weaves Together the Professional and Personal Lives of NASA Pioneer Sally Ride

Directed by Cristina Costantini, the film features archival footage of the late astronaut and interviews with her family and colleagues, as well as narration by her partner of 27 years, Tam O'Shaughnessy.

‘Selena y Los Dinos’ Review: 30 Years After Her Death, the Mexican-American Icon Shines Bright in a Sweet but Overly Slick Doc Tribute

The musician's family executive produces, narrates and provides previously unseen archival footage for director Isabel Castro's affectionate film, premiering at Sundance.

‘Prime Minister’ Review: Documentary About New Zealand’s Galvanizing Former Leader Offers an Intimate Look at a Woman in Power

Directors Lindsay Utz and Michelle Walshe provide a window into Jacinda Ardern's work and life choices during her five-year term as her country's head of government.

THR Critics Pick the Best Films From the Fall Festivals

An ambitious American immigrant saga, Nicole Kidman’s steamy erotic thriller, an intimate John Lennon doc and a trippy Luca Guadagnino-Daniel Craig collaboration are among our reviewers’ 15 faves out of Venice, Telluride and Toronto.

‘Speak No Evil’ Review: James McAvoy Is in Top Sinister Form in a Slow-Burn Blumhouse Thriller That Almost Works

Scoot McNairy and Mackenzie Davis play the victims in a remake of the 2022 Danish horror movie about two families holed up in a remote farmhouse.

‘Bonjour Tristesse’ Review: Chloë Sevigny and Claes Bang Headline a Handsome Misfire of an Adaptation

Lily McInerny also stars in this updated take on Françoise Sagan's 1954 coming-of-age story, about a young woman meddling in her father's love life.

‘Went Up the Hill’ Review: Vicky Krieps and Dacre Montgomery Are Dazzling in a Poetic Ghost Story

Premiering in Toronto, Samuel Van Grinsven's film revolves around a woman and her dead wife's estranged son.

TIFF 2024: Read THR’s Reviews of the Movies Screening at the Toronto Film Festival (Updating)

The Hollywood Reporter critics weigh in on this year’s crop of titles, from biopics to documentaries, sweeping epics to intimate character studies, tear-jerking dramas to laugh-out-loud comedies.

‘Rebel Ridge’ Review: Not Even Aaron Pierre’s Striking Turn Can Save Jeremy Saulnier’s Cliché-Ridden Netflix Thriller

The latest action film from the director of 'Blue Ruin' and 'Green Room' pits an innocent ex-Marine against a corrupt sheriff in a small Louisiana town.

‘Don’t Let’s Go to the Dogs Tonight’ Review: An Extraordinary Adaptation Takes a Child’s-Eye View of an African Civil War

Actress Embeth Davidtz makes her directorial debut with a drama based on Alexandra Fuller's 2001 memoir, and anchored by a remarkable star turn from a 7-year-old.

‘The Friend’ Review: Naomi Watts, Bill Murray and a Great Dane Charm in a Lively Grief Drama

Filmmakers Scott McGehee and David Siegel ('Montana Story') adapt Sigrid Nunez's beloved novel about a writer mourning her late pal while dealing with the enormous dog he left behind.

Afraid’ Review: John Cho and Katherine Waterston Star in Chris Weitz’s Bland AI-Themed Horror Flick 

An artificial intelligence device threatens a family in this movie from the director of 'About a Boy' and 'Operation Finale.'