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Jordan Mintzer

Jordan Mintzer is a contributing Paris-based Film Critic for The Hollywood Reporter. Prior to that, he wrote for Variety. His writings have also appeared in the French publications Les Cahiers du cinéma, Le Monde, So Film and Libération, and he is a regular guest on the French radio show On Aura Tout Vu. He is the author of three interview books — "Conversations with James Gray," "Conversations with Darius Khondji" and "Conversations with Dean Tavoularis" — and the producer of the feature films "Hamilton," "Putty Hill" and "Sollers Point." Mintzer grew up in Queens, N.Y., and has a BBA in Economics from Baruch College.

More from Jordan Mintzer

‘Kontinental ’25’ Review: Romanian Auteur Radu Jude Delivers Another Caustic Modern Morality Tale

The latest feature from the director of 'Do Not Expect Too Much from the End of the World' follows a woman dealing with her guilt after her actions drive a homeless man to suicide.

‘The Message’ Review: A Minimalist, Beautifully Shot Argentine Road Movie That Celebrates Both Nature and the Supernatural

Writer-director Ivan Fund's roving black-and-white feature, which played competition in Berlin, follows a little girl who claims she can read the minds of animals.

‘What Marielle Knows’ Review: In This Darkly Clever German Comedy, a Teenage Girl Can See Right Through Her Parents

Writer-director Frédéric Hambalek's second feature follows a bourgeois family of three whose life is upended when their daughter suddenly gains telepathic powers.

‘All I Had Was Nothingness’ Review: A Powerful Behind-the-Scenes Look at Claude Lanzmann’s ‘Shoah’

Director Guillaume Ribot revisited outtakes from the nine-hour Holocaust documentary to reveal how it was made and the toll it took on its creator.

‘The Ice Tower’ Review: Marion Cotillard Toplines a Twisted French Fairytale That’s ‘Frozen’ Meets ‘Mulholland Drive’

The latest feature from French director Lucile Hadzihalilovic ('Earwig,' 'Evolution') follows an orphaned teenage girl who stumbles into a haunting real-world fable.

‘Reflection in a Dead Diamond’ Review: An Exquisite and Flashy Cinematic Jewel Box With Nothing Much Inside

The latest genre movie homage from French directors Hélène Cattet and Bruno Forzani follows a retired secret agent reminiscing about his action-packed past.

‘The Botanist’ Review: A Graceful Chinese Coming-of-Ager With Dreamy Images More Captivating Than the Story

First-time director Jing Yi sets his feature in the northern province of Xinjiang, in a remote community just across the border from Kazakhstan.   

‘Ari’ Review: An Intensely Performed if Loose-Limbed Portrait of an Emotionally Unstable French Man Trying to Fix His Life

Director Léonor Serraille ('Mother and Son') worked with both seasoned and amateur actors in a partially improvised drama that explores the lives of wayward 20somethings.

‘Living the Land’ Review: A Richly Detailed, Novelistic Chronicle of Life in Early-’90s Rural China

Writer-director Huo Meng’s Berlin competition entry follows an extended family of farmers scraping by as their country gradually evolves into an industrial powerhouse.

‘A Letter to David’ Review: An Israeli Filmmaker Considers the Fate of an Actor Turned Hostage in a Harrowing Film Essay

Nancy Spielberg (Steven Spielberg's sister) produced writer-director Tom Shoval's portrait of David Cunio, who starred in his 2013 film 'Youth' and was taken hostage on October 7th, 2023.

‘Oscar-Nominated Shorts 2025: Live Action’ Review: A Mix of Issue-Driven Dramas That Mostly Favor Subject Matter Over Storytelling

The five films hail from Croatia, South Africa, India, the Netherlands and the U.S., tackling a multitude of hot-button topics currently plaguing the globe.

‘Mad Bills to Pay (or Destiny, dile que no soy malo)’ Review: A Colorfully Raw New York Story That Skirts the Line Between Doc and Theater

Writer-director Joel Alfonso Vargas' feature debut follows a Dominican American family struggling to make it work in one of the city’s toughest boroughs.